John Darnielle started recording songs while during his psych-nurse days in California. "I had been writing poetry pretty much all my life," he remembers. "At some point in Norwalk I bought a guitar from this really cool old music store in a strip mall, and I started teaching myself to play." Soon Darnielle was playing live, touring with bassist Rachel Ware and then with multi-instrumentalist Peter Hughes. In 2001 they became a full-time studio-and-road-show duo, releasing four albums together: 'Tallahassee,' 'We Shall All Be Healed,' 'The Sunset Tree,' and 'Get Lonely.' Superchunk drummer Jon Wurster joined in 2007, and the collaboration clicked perfectly. "Peter and I had played with other musicians," says Darnielle, "but with Wurster we were an honest-to-God trio. We played together with real glee."
The band toured the U.S., England, Australia, and New Zealand extensively, recording a new studio album called 'The Life of the World to Come' in 2009 that prompted GQ to remark: "Darnielle's not just one of the greatest songwriters working today--he's probably one of the greatest working writers." The album earned a 'Best New Music' nod from Pitchfork, and prompted Stephen Colbert to invite the band to make its national television debut on The Colbert Report.
In 2010, the band signed to Merge Records, headquartered within walking distance of Darnielle's Durham, NC home. The band approached recording sessions for 'All Eternals Deck' as commando raids on multiple studios with a several producers: four songs at North Carolina's Fidelitorium with John Congleton; one at Q Division in Boston with longtime soundman Brandon Eggleston; four at Brooklyn's Mission Sound with Scott Solter; and four at Mana Recording Studios in Florida, with Morbid Angel guitarist and Hate Eternal helmsman Erik Rutan.
"We wanted to see how disparate seasons and moods and locations and producers would play out in the songs," explains Darnielle. The result? "If you've ever watched, say, a 70s occult-scare movie where one of the scenes involves a few people visiting a storefront fortune teller, getting their cards read, and then they're trying to feel super-hopeful about their predicted outcome when what they're visibly actually feeling is dread, then you have a pretty decent idea of what this album is all about."